I'm glad the brand is getting some love. I was equally guilty. But prior to their GPHG win, I already noticed that actually some of their watches are pretty attractive. For example, the bold classically styles maestro with the modern tapering Roman numerals is actually quite an accomplished look, if conservative at heart. Another example, the TV-dial freelancer with open heart. And yes, I am not generally Iin favour of the needless open heart, but this is one exception of a watch I do like with it. Then came the Millesime, and that was a delight, especially in the genre of sector dials where I often prefer small seconds. Yet, in the small seconds version, the sundial feels a little cramped and that's down to typographical choices. Really they should st least have left automatic off the dial. It's very good as it is, but I the genre I thin kthe layout of the Longines is still preferable to me. Perhaps also because it makes no excuse for completely being a vintage remake. And then, I saw the rose gold centre seconds, and it just clicked. One of those instances where you actually instantaneously desire a watch. How strange, I thought, as I tend to prefer the small seconds subdial, but as I saw fault with it, the centre seconds resolved that. It also underlines the more contemporary lenience of the dial interpretation and the warmth of the gold with additional thinness makes that case really come into its own. The unusual step of adding drilled lugs stands out more on the gold and the silver gains additional depth thanks to the rose gold handset. Unexpectedly, Raymond Weil now has a place at the top (or close to, as really I'd expect some nice discounts a bit further on) of my priority list. The only thing against it is that it's not solid gold, so wear it too much, and the gold could wear off, as happened with my only gold plated watch before. This, however, would seem to be the almost uncanny perfect replacement for it. I'll stop my serenade now.